Letter to a Lost Lover
- Feb 22
- 2 min read
Momina Raza
A poem after Barbara Hamby.

Is there a theological Urdu word to describe what
has happened
between us, like, barzakh, which is
used
for washing blood away from my hands, but after I
walk to the next haveli,
I wash my hands again; or faqadān
which is an emptiness that remembers and aches
for many years
perhaps, for eternity even after
all scars have healed,
this wound shall remain blooming.
Sara Shagufta confesses, weaving a language of silence:
“These eyes, this heart, give it
to a hollow man.”
I long for a word for someone who looks into her lover’s face
and sees his smooth skin peel off like a candle’s wax that has
burnt with endless ardour in the sleepless nights of Lahore where
childless mothers tie red threads in shrines, a dog
howling at what used to be divine, motia blooming with grief,
mistaking tears as rain drops, counting each like penance,
books everywhere, Agha Shahid Ali on Naheed, Ghose under Rafat,
writings all scribbled with stories of lost lovers, once sipping
coffee in a bookshop, tenderness woven into fingers that tremble
to feel the same love they lost in the crowded streets of
Liberty Market, endowed with my grandmother’s silk sarees,
I can see what he sees—all my books dog-eared
to safely honour the flowers my friends gifted me in sepia
toned books as souvenirs, remnants gently wrapping
itself in ink and memories, feet adorned with red paint and
gold anklets, flashing like wheat in lush fields, veins
flowing like rivers of milk, eyes as bright as hope in hospitals,
how unlucky we are to love in distance, for a moment,
I can’t help but think of Shagufta, a fire burning her soul, looking
at the man she loved, thorns for hands, saying,
“I dress myself in my pain”. As I turn those pages, I feel the heat of
your absence, a symphony lost in longing, as the book
closes, the spine arching its back, moaning a prayer.

Momina Raza is a writer from Lahore, Pakistan. She holds an MPhil degree in English Literature from Kinnaird College for Women. She was selected as a finalist for the 2025-26 Pakistan Youth Poet Laureate program in English. Momina’s work has been published in journals such as Borderless and Pandemonium among others. You can find her on Instagram @momina17_.

Mikuláš Galanda was a painter and illustrator and one of the most important pioneers and propagators of Slovak modern art. From 1914 to 1916 he studied at the Academy of Fine Arts in Budapest. In 1922 he enrolled in the Academy of Arts, Architecture and Design in Prague. From 1923 to 1927 he studied at the Academy of Fine Arts in Prague. He died on 5 June 1938 in Bratislava. In all his work, he strove to formulate the Slovakian artistic modernism on the basis of achievements in the development of European painting. He was inclined towards expressionist and cubist trends, and created his own form of painting on this basis. He was considered to be a lyric painter of female beauty and charm.




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